A stream of consciousness directed look into things I find cool (movies, music, tv, comics, books, and more)
Saturday, July 31, 2010
Tune-age: Arcade Fire - "Suburbs"
Arcade Fire - Suburbs (2010, Merge Records)
To try and define the Arcade Fire's sound is an impossible task. When I first heard "Wake Up" in Brent Hamric's car in the spring of 2004 I immediately thought of The Flaming Lips. One track later and that was changed. Three albums later and they are still too eclectic to pin down. A lot of music critics wait like vultures for the bands they love or others love to slip up, so that they can pounce and claim that the grandeur that once was is lost. Arcade Fire seems to dare them to try it, by dropping the dark gloom of Neon Bible and adopting a more pop-folk vibe. There's some familiar sounds to bring you back in, but then suddenly things change up and we hear some arrangements and instruments that show the band is still testing its limits.
Friday, July 30, 2010
In Theaters Now: Life During Wartime
Life During Wartime (2010, dir. Todd Solondz)
Starring Alison Janney, Shirley Henderson, Ciaran Hinds, Dylan Riley Snyder, Paul Reubens, Ally Sheedy, Charlotte Rampling
I can't see anyone who hasn't seen Solondz's 1998 film Happiness being able to get much from this movie. It is about a direct sequel as you can get, making references to plot points from the first film in ways that makes it un-enjoyable for someone unfamiliar with the older picture. It's not a bad film, I enjoyed it a lot, it just is not made for the uninitiated. What it does is revisit some familiar faces, some in a more interesting way than others, and offer different perspectives on their personalities. It's very sad and at times very funny, probably Solondz's most restrained film to date, but also has me worried about his lack of new characters or material. Life During Wartime also shares elements with Palindromes, as not a single one of the actors from Happiness reprise their roles here, which I suspect is a choice made by Solondz.
Between the Panels: REBELS v2
REBELS v2 #1-18
Written by Tony Bedard
Art by Andy Clarke and Claude St. Aubin
DC Comics has been building a rich science fiction mythos since the 1950s with characters like Captain Comet and Adam Strange. In the 1960s, we were given the futuristic teen team the Legion of Super-Heroes. In the 1980s, elements from the present day DC Universe and alien races introduced in Legion stories came together in an event called Invasion! In this story we were introduced to Vril Dox and a group of aliens all imprisoned by beings bent on invading the Earth. By the end, Dox and company escaped and would go on to form LEGION (Licensed Extra-Governmental Interstellar Operatives Network). These galactic peace-keepers would eventually be usurped by Dox's rapidly intelligent newborn, Lyrl and form the REBELS (Revolutionary Elite Brigade to Eradicate L.E.G.I.O.N. Supremacy). The entire series met with cancellation in the mid-90s, though the characters would continue to pop up from time to time. Recently, the concept was revived and it is hitting on all cylinders, making sure to avoid the mistakes of its predecessors.
Thursday, July 29, 2010
Comic Quick Hits
Action Comics #891
Paul Cornell delivers yet another awesome issue of his run on Action. Instead of focusing on the adventures of Superman, Cornell has opted to make Lex Luthor the focus of the series. Its hard to pull off villain-centric books by Cornell plays into the whole super scientist aspect of the character. There's even the incorporation of long time Captain Marvel villain Mr. Mind, which makes me instantly love the issue. When you can have a mind controlling Venusian caterpillar in your story you have won me over. This has quickly become one of my read as soon as a I can books.
Wednesday, July 28, 2010
Comics I'm Getting This Week
BOOM! Studios
Incorruptible #8
The Muppet Show #8
DC Comics
Action Comics #891
Batman: The Return of Bruce Wayne #4 (of 6)
Billy Batson and the Magic of Shazam! #18
Detective Comics #867
First Wave #3 (of 6)
The Flash #4
Gotham City Sirens #14
Green Arrow #2
Green Lantern #56
Green Lantern Corps #50
Justice League of America #47
Justice League: Generation Lost #6
The Outsiders #31
Teen Titans #85
Wonder Woman #601
Dynamite
The Green Hornet Strikes #2
Image
Haunt #8
Marvel
Deadpool Team-up #891
Fantastic Four #581
Franken-castle #19
Secret Avengers #3
Thor #612
Thor: The Mighty Avenger #2
Ultimate Comics Mystery #1 (of 4)
Uncanny X-Men #526
X-Campus #2 (of 4)
X-Men: Legacy #238
Vertigo
American Vampire #5
Jack of Fables #46
Northlanders #30
Wildstorm
The Authority: The Lost Year #11 (of 12)
Wizard
Wizard Magazine Vol. 229
In Theaters Now: Inception
Inception (2010, dir. Christopher Nolan)
Starring Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, Cillian Murphy, Tom Hardy, Ken Watanabe, Dileep Rao, Marion Cotillard, Tom Berenger, Michael Caine, Pete Postlethwaite, Lukas Haas
Don't think about elephants. What are you thinking about? Elephants, right? That is a very basic form of an inception, mentally influencing another person's thoughts. But for a more complex idea, an idea that will cause someone to make a life-altering decision you have to do something a little more elaborate. As Cobb (DiCaprio), an expert dream infiltrator tells us early on, its much easier to steal an idea than to insert one in a person's subconscious. With his seventh film, director Christopher Nolan takes the heist film formula and tosses it into an imaginative blender. The result is yet another highly complex and intelligent film that respects the intelligence of the audience, a rarity for a summer film.
Tuesday, July 27, 2010
Comics 101: Mister Fantastic
He's the most intelligent human being on the planet, and with such a mind comes a lot of pressure to make things better for his fellow man. Even before the bombardment of cosmic rays that turned him elastic, Reed Richards was amazing his peers with complex advancements in science. In college he befriends fellow intellect Victor Von Doom and roommate Ben Grimm. Doom is developing technology to transport a human's consciousness into other dimensions, and Reed points out some flaws in the man's calculations. Letting his arrogance get the best of him, Doom activates his device and is scarred horribly. From then on, it became Doom's mission in life to prove his mental superiority to Reed. During college, Reed rents a room in a boarding house owned by the mother of Susan and Johnny Storm. During this time, Reed's father Nathaniel vanishes without a trace and Reed gets a job NASA. Before the experimental craft he is building can be launched, Reed learns his funding is being cut. Desperate to get data using the craft, he convinces Ben (who is now an airforce pilot) to help him out. Sue and Johnny insist on coming along. In the end the four are bathed in mysterious cosmic rays, each gaining a power, with Reed becoming the stretchy Mr. Fantastic.
Across the Pond: Misfits
In across the pond I look at television from the U.K. that stands out as amazing programming.
Misfits Series 1 (6 episodes)
One American television series that completely disappointed me was Heroes. The first season was a slow burn, but once it got where it was going it was incredibly good. After its first season though it started a downward spiral that ended with NBC put a bullet in its head halfway through the fourth season. The idea of a television series that works with the superhero concept is one I can get behind completely. When this BBC drama came around I heard about it, but didn't really rush to watch it. Recently though, I sat down and tore through the six episodes in two days and it has jumped to being one of my favorite shows. It's a bit teen drama (and British teen dramas are infinitely more racey than American ones) and a bit super hero series. The mix is a wonderful series that can be deathly serious and absolutely hilarious.
Misfits Series 1 (6 episodes)
One American television series that completely disappointed me was Heroes. The first season was a slow burn, but once it got where it was going it was incredibly good. After its first season though it started a downward spiral that ended with NBC put a bullet in its head halfway through the fourth season. The idea of a television series that works with the superhero concept is one I can get behind completely. When this BBC drama came around I heard about it, but didn't really rush to watch it. Recently though, I sat down and tore through the six episodes in two days and it has jumped to being one of my favorite shows. It's a bit teen drama (and British teen dramas are infinitely more racey than American ones) and a bit super hero series. The mix is a wonderful series that can be deathly serious and absolutely hilarious.
Monday, July 26, 2010
Tube Review: Mad Men and True Blood
Mad Men - S04E01 - "Public Relations"
Mad Men is back and in a big way. It's been almost a year since Sterling Cooper Draper Pryce was started thanks to Don's midnight revolt against the British conglomerate. Since the, the agency has gotten some buzz around its challenging ad campaigns and relocated to offices in the Time-Life Building. Joan Holloway is not the queen bee, with her own office from which she runs the machine. Harry Crane is now a seasoned salesman to television companies, just returning from a trip to L.A. around Thanksgiving. Pete Campbell seems to have discarded his conniving ways and treats Don and his coworkers with respect. Peggy is one of the most drastic changes, appearing to be Head of Creative, with at least one male employee under her whom she makes no bones about showing she is in charge of.
Sunday, July 25, 2010
Back Issue Bin: Alan Moore's Swamp Thing
Swamp Thing #20-53, 60-61, 63-64
Written by Alan Moore
Art by Stephen Bissette and Rick Veitch
Before Watchmen, Alan Moore was simply known as the guy who saved Swamp Thing from cancellation. The series was born out one story in the horror anthology House of Secrets in the 1970s. The unnamed Swamp Monster proved so popular that creator Len Wein recast the story in the present day and gave the character an origin. He was Dr. Alec Holland, a scientists working in the bayous of Lousiana on a "bio-restorative" formula. Its end purpose would be to turn arid environments into lush forests. His lab is attacked and a fire is started, engulfing Holland. The poor man runs into the waters of the swamp where he dies from the burns, blood loss, and trauma. However, he was coated with the formula during the attack and his essences mixes with the swamps. He is reborn as a plant humanoid, with the memories of Alec Holland. All in all, it wasn't too spectacular of a series and sales reflected it. That is until the British comics writer Alan Moore said he would taking over writing the series. He was given a handful of issues to turn sales around and that's just what he did.
Saturday, July 24, 2010
Tube Time: Mad Men Primer
It's the eve of the Mad Men Season 4 premiere and fans of the show are definitely curious to find out what has happened to Don Draper and crew since last we saw them. If you've never seen the show (and are one of those people who starts watching a few season in, shame on you!) or are fan and just want to geek out with me, here's a concise guide to everything you need to know about Mad Men.
Friday, July 23, 2010
Mature Reading: Fables
Fables #1-96
Written by Bill Willingham
Art by Mark Buckingham, Lan Medina, Steve Leialoha, and Craig Hamilton
Once upon a time, there was a land where all the fairy tales you grew up reading were real. All your favorite characters lived side by side and everything was happy. That is until The Adversary appeared, a shadowy figure who gathered the aberrant armies of these realms and effectively took over. Those storybook characters afraid of what he would do now that he was in power migrated to the world of the Mundies, or our world. On a couple blocks in New York City, cloaked with expert magicks, is Fabletown, the home of the exiles. Here they plot a way to take back their homeland while dealing with discovery at the hands of the Mundies and their own evil fable brethren. This is the setting that kicks off Bill Willingham's magnum opus (still being published today).
Comics 101: Robin I/Nightwing/Batman II
This is the Robin you know if you came of age in the 1960s, watching the Batman television series. He's Dick Grayson, one third of The Flying Graysons, part of Haley's Circus. The circus came to Gotham City, where gangster Tony Zucco pressured the ringmaster to hand over protection money. The ringmaster refused and during that night's performance the trapeze was cut, causing Dick's parents to fall to their deaths. Bruce Wayne is in the audience that night, and sees himself in the emotionally scarred boy. Over the next few weeks, Dick is adopted by Bruce Wayne and comes to live in Wayne Manor. Dick goes exploring the mansion one day, and discovers the Batcave. Bruce reveals his double life and tells Dick that, if he wishes to use his anger about his parents' deaths for good, he will train him. Fashioning a costume based on his family's circus outfits, Dick becomes Robin, a beacon of light to counterpoint the darkness of Batman. A superhero good cop/bad cop sort of.
Thursday, July 22, 2010
Comics 101: The Mighty Thor
The story of Thor really begins in Norse mythology. Thor was the son of Odin, king of the Norse gods. He wielded a powerful hammer named Mjolnir and was married to his fellow goddess, Sif. His greatest adversary was his half-brother Loki, the trickster god. Thor had grown too proud in the eye of Odin, and his father decided to banish Thor to Midgard aka Earth so he could learn what it was like to be mortal. Thor's soul was placed in the body of crippled med student Donald Blake, and all his memories of godhood were taken. And for a few years, Thor lay dormant inside of Blake, until Blake takes a vacation to Norway and witnesses a fleet of aliens landing nearby. Blake scrambles into a nearby cave where he discovers a plain wooden cane. When he accidentally strikes the cane against a rock it transforms into Mjolnir and turns Blake into Thor.
Donald Blake defeats the alien invaders as Thor, and returns to the States to run his medical practice with help from nurse and love interest Jane Foster. Loki, Thor's ancient nemesis, learns that his brother has returned and begins to dispatch mystical villains to challenge him. Among these were The Absorbing Man (whatever material he touches he becomes), The Wrecker (a construction worker turned behemoth), and The Destroyer (a mindless suit of armor powered by infinite cosmic elements). It was Loki who was responsible for driving the Hulk mad and bringing together Thor, Iron Man, Giant-Man, and The Wasp to stop him. This group would serve as the foundation of The Avengers. Odin decides he wants Thor back amongst the pantheon and orders him to return to Asgard, home of the Norse Gods. Thor refuses which infuriates Odin and drives a wedge between the two. Thor would also occasionally team with his father's favorite son, Balder to battle enemies like Surtur the fire demon. Thor also has allies in the Warriors Three (Volstagg, Fandral, and Hogun), a trio of great adventurers with very differing personalities.
A turning point came for Thor when Nick Fury, the director of SHIELD, had the god investigate a mysterious spacecraft. The ship is the home to the Korbinites, an equine like race of people who are on the verge of extinction. The defender of the Korbinites is a man named Beta Ray Bill, who battles Thor, proving himself quite powerful. Thor loses the grip of Mjolnir and reverts to Donald Blake again. Bill manages to life the hammer, a feat only accomplished by those of great power and becomes an alien variant of Thor. Thor and Bill become allies and battle together against Surtur and his army of demons who storm Asgard. Odin is killed in battle and Thor remains in Asgard to take his father's throne. During this period, the magical forces of Norse mythology began leaking into Earth. Bill and Thor would do battle constantly to keep them back. Thor would eventually learn Odin was being held captive by the Egyptian gods and do battle with them, rescuing his father. Thor learns Loki behind this trickery and kills him, so Heimdall, the ruler of Asgard at the time banishes Thor to earth again.
This time Thor is bound to the body of Eric Masterson, a construction worker in New York City. This would not last very long, but Masterson would keep some of the god's power to become Thunderstrike. Thor would next bond himself to Jake Olsen, an EMT, and would find himself running into his old love interest Jane Foster again. Odin would die for good this time in battle with Surtur again, and Thor would take the throne. Only this time, he grew mad with power and began to impose the gods' will on Earth. Thor would marry his long time enemy, The Enchantress, and she would bear him a child named Magni. Eventually, Thor realized he had been driven mad and attempted to use his power to reverse time. By changing the timeline he brought Loki back from the dead who amassed an army of giants wielding hammers made from the same mystic Uru metal that Mjolnir had been forged from. In the final battle called Ragnarok in Norse mythology, Loki and Thor did battle, ending with the complete destruction of Asgard and the gods.
It appeared Thor was gone and years passed. Then Mjolnir fell from the sky, creating a massive crater in Oklahoma. Many try to lift it but fail, until a stranger to the small town arrives. This is Donald Blake, long separated from him alternate persona. He wields the hammer and with its power seeks out the mortals in whom his brothers and sisters' souls have gone to. Asgard is rebuilt on Earth, as a floating city in the Oklahoma wilderness. Loki also returned, this time in a female form, and became part of the Cabal, a shadowy collective of villains seeking to fool humanity into turning their backs on the heroes. Loki convinced his allies to go to war with Asgard, believing with Thor taken down she could become the ruler of the gods. In the last minutes of the Siege of Asgard, Loki realized what she had done and tried to stop her allies, only to be killed. Thor realizes he is not the one to lead his people, giving that title to Balder, and joining up with a newly formed version of the Avengers.
Wednesday, July 21, 2010
Comics I'm Getting This Week
BOOM! Studios
Darkwing Duck #2 (of 4)
Muppet Snow White #3
DC Comics
Batman Beyond #2 (of 6)
Batman: Streets of Gotham #14
Brightest Day #6
DC Universe Legacies #3 (of 10)
Justice Society of America #41
Legion of Super-Heroes #3
Power Girl #14
The Spirit #4
Supergirl #54
Superman/Batman #74
Time Masters: Vanishing Point #1 (of 6)
Zatanna #3
IDW
G.I. Joe Cobra II #6
Image
Invincible #74
Shadowhawk #3
The Walking Dead #75
Marvel
Age of Heroes #3 (of 4)
Amazing Spider-Man #638
Amazing Spider-Man Presents: American Son #3 (of 4)
Atlas #3
Avengers #3
Dark Wolverine #88
Deadpool #25
Heroic Age: Prince of Power #3 (of 4)
Lady Deadpool #1
Marvel Zombies 5 #5 (of 5)
Marvelman Classic Primer #1 (One-Shot)
The Marvelous Land of Oz #8 (of 8)
New Avengers #2
New Mutants #15
Thunderbolts #146
Web of Spider-Man #10
X-Factor #207
X-Men: Phoenix Force Handbook
Vertigo
Air #23
Wildstorm
Welcome To Tranquility: One Foot in the Grave #1 (of 6)
Event Fatigue: Second Coming
Second Coming
Written by Zeb Wells, Mike Carey, Craig Kyle, Chris Yost, Matt Fraction
Art by Ibriam Roberson, Esad Ribic, Greg Land, Terry Dodson
If you are wanting to jump into some of the most dense, hard to navigate continuity in comics today then look no further than Marvel's X-Men titles (New Mutants, Uncanny X-Men, X-Men Legacy, X-Force, X-Factor). The X-Men characters have always seem to occupied their own little corner of the Marvel Universe, only occasionally linking up with characters like the Avengers and Spider-Man. So, when an event goes down amongst the mutant community its always very self-contained but rarely simple. The most recent event, Second Coming was all about the rebirth of the mutant race. Five years ago, Magneto's daughter, Scarlet Witch used her reality bending powers to erase the majority of mutant powers from the face of the earth, leaving only 200 mutants left. Over the next few years, some of these mutants died and the creeping fear that their species would be wiped spread over the community. That is until one new mutant was born.
The X-Men rushed to Alaska, where the new mutant registered on their computers. Other competing groups of mutants, and anti-mutant hate groups were their competition. In the end they learned the mutant was an infant whose powers manifested at birth, defying all the medical knowledge that had gathered about mutant genes. Present day was deemed too dangerous for the baby girl, named Hope, so Cable, Cyclops' warrior son from the future, took the baby with him on a roulette journey through time, staying one step ahead of their enemies. Once Hope was fifteen, she decided that she wanted to return to her time period to rejoin her people and learn what it was to be a mutant. Her arrival alerted Bastion, another time traveler and cyborg who was programmed specifically to wipe the mutant race from the Earth.
Since Cable had left, Cyclops had established a haven for mutant on the island Utopia, off the coast of San Francisco. Here they fended off attacks from forces that wished them dead, and Cyclops formed X-Force, a black ops team led by Wolverine that drew first blood on their enemies. This would be seen as a complete 180 from the dream Professor Xavier hoped for, so Cyclops kept it secret from the majority of mutants, even his long time lover Emma Frost. When Cable and Hope dropped on the East Coast, expecting the X-Men to still be there X-Force was dispatched, along with staples Storm, Colossus, and Nightcrawler. A battle on the freeway ended with Nightcrawler being killed and Cyclops' bloody secret being revealed. Storm was disgusted, and Beast could no longer consider Cyclops a friend or ally. Hope and Cable eventually got to Utopia, where Bastion erected an impenetrable globe around the island and San Francisco. Portals opened inside, releasing Sentinels, mutant-killing robots on the population.
X-Force went on one final mission to the future, where these Sentinels were being dispatched and destroyed the Mastermold which made them. In the present, Hope unlocked her power and completely disintegrated Bastion and his forces. Cable, who went with X-Force, realizes that they are unable to return to the present unless he allows a technovirus that has plagued him his entire life to be unleashed. By allowing his body to become non-organic he hold the portal open and X-Force jumps through. Once on the other side Cable's body crumbles and Hope is left to mourn the death of her adoptive father. A bonfire memorial is held that night on Utopia to the mutants that fell, and it is here Emma Frost witnesses the source of Hope's power: The Phoenix Force. Suddenly around the globe hundreds of mutant genes are activated in humans and the mutant race is saved. Emma realizes in this moment that Hope is the reincarnation of Jean Grey, Cyclops' late wife and that its only a matter of time until Emma loses him to her.
This series would be near impossible for someone without a dense familiarity to enjoy. I've read over four hundred issues of Uncanny X-Men in my life and it was still tricky for me to follow. It's also built on seeds planted by Brian Michael Bendis five years ago in The House of M event, wherein Scarlet Witch erases a ton of mutants. It would also be a tricky event to follow if you hadn't read the most recent two year long Cable ongoing series which followed the development of Hope. AND if you hadn't read a few arcs of the recent two year X-Force ongoing you'd not understand why everyone freaks out when they find out what Wolverine has been up to with Cyclops. In many ways, this is the definition of a completely new reader inaccessible story. I think there's definitely a place for rewarding loyal readers by pulling in a dump truck load of plot points, but the X-Men rarely open their doors for new readers to easily jump on. The next event has already started, the SAME WEEK Second Coming ended! While the latest event, Fall of the Mutants, is a little more accessible, it still makes me wonder what happens when the current fans die. They aren't doing a good job of nurturing new fans.
Tuesday, July 20, 2010
Wild Card Tuesdays - The Dinner Game
The Dinner Game (1998, dir. Francis Veber)
You've no doubt seen the trailer or commercials for the upcoming Paul Rudd/Steve Carrell film Dinner for Schmucks. This is its source material, a very small and wry French comedy that, unlike the American version never makes it to the titular dinner. Instead, we get a very clever farce from the same director that brought us La Cage Aux Follies and many other French comedies brutally remade by American studios. I'm beginning to think studios simply wait around for him to release a film so they can rush to produce a butchered remake. While not the kind of funny the American remake is shooting for, The Dinner Game will make you laugh through clever wordplay and increasingly convoluted misunderstandings
Pierre Brochant is excited about the weekly "idiots dinner" held by he and his businessmen friends. He comes upon Francois Pignon, Finance Ministry employee (think IRS agent) whose obsession is building landmarks out of matchsticks. Brochant sees this man as the perfect idiot to bring along with him. However, his wife has left him and he has injured his back on the golf course on the same day he is to take Pignon to the dinner. The squat little man arrives, thinking Brochant is offering him a book deal about his matchstick constructions. Over the course of the evening, Pignon helps Brochant makes fake phone calls to track down his wife, mistakes the wife for the mistress, and brings on of his auditing buddies over to help out, unwittingly revealing some shocking infidelities. The film appears to be heading down a maudlin path when it returns to its comedic elements in a very clever way.
Pignon is a very endearing character. He has had his wife leave him and wants to legitimately help Brochant, but he possess a short term memory and care barely retain the simple plans they hatch when calling people they believe Brochant's wife is with. Jacques Villeret plays the role of Pignon and manages to keep him from becoming a dolt. He's a clever, sensitive, eager to help simpleton and the audience sighs with relief when we realize he won't be subjected to the cruel evening Brochant has planned. From what I have seen of Schmucks, I get the feeling Carrell is playing a much broader, less sympathetic version of this character and that's a shame.
The Dinner Game plays like stage play. It's one set with characters coming in and out, a perfect comedy of errors. Schmucks looks like it is uninterested in the simplicity of the original and is opting for complex set pieces involving outsiders that we don't sympathize with but mock. The overly sentimental finale that the original avoids feels all but inevitable for the American remake. The irony here is that The Dinner Game emotionally earns that ending if it wants, while I suspect Schmucks will be so mean spirited that when it comes to that "our hero learns a lesson" moment it will come off as ludicrous.
Breaking Down The New DC Promo
So DC Comics has released a promo image tied to their current Brightest Day theme running throughout their books. The images here gives clues and metaphorical images about where the various titles are heading in the next six months. Let's break it down, shall we? (Click on the image to enlarge)
Starting on the top left corner we have Hawkman and Hawkwoman becoming part of a skeleton-made portal. From the portal are coming humanoid hawk creatures. If you're reading the year long Brightest Day bi-weekly series then you recognize these creatures. The Hawks recently went through this portal and found a strange universe that's terrorized by the ravenous things. From the looks of this image, it looks like these creatures will be filtering out into the greater DC Universe.
Next, we have Guy Gardner, the Guardian turned Green Lantern Ganthet, and the Red Lantern Atrocitus. While Guy and Ganthet are constructing some sort of structure with their rings, Atrocitus is raising a green coffin up. I can't really think of a dead Green Lantern other than Abin Sur, who was transporting Atrocitus when his ship crashed on Earth and Hal Jordan was given his ring. Could Atrocitus be resurrecting Abin Sur?
We have Hal Jordan as the White Lantern, lying unconscious in a broken White Power Battery. His right arm is bloodied, and I believe the right hand is where he wears his ring. Thinking he becomes White Lantern but the ring is taken by force from him. Beside Hal, in the smoke is the face of The Anti-Monitor, the main villain behind 1985's Crisis on Infinite Earths, the comic book event to begin all events. The Anti-Monitor was recently resurrected as a Black Lantern, despite wanting to stay dead. Deadman encountered the villain in recent issues of Brightest Day and found him alive and well in the Anti-Matter Universe.
Follow the smoke the Anti-Monitor is coming from, and you'll see it is generated from the fire Martian Manhunter is starting. MM's greatest weakeness is fire, so it is interesting that he is starting this fire. The first is also at the base of a tree marked with the symbol of the White Lantern (The Tree of Life?). Recently, a forest grew in an instant in the middle of Star City (analog for Seattle) when Deadman visited. Green Arrow has taken up residence in the forest (note the green arrows in the tree). So this forest will become tied to Martian Manhunter at some point who is possibly responsible for the Anti-Monitor's return?
Below this we have a pile of boomerangs (Flash villain Captain Boomerang was one of those brought back from the dead at the end of Blackest Night) and what appears to be the broken staff of Blue Devil, an incredibly obscure character created in the early 1980s whose popped up from time to time, most recently as a member of Shadowpact, a collective of occult heroes and heroines. Standing above this is the newly announced Aqualad, and right behind him is a pair of ominous red eyes, which I believe belong to Aquaman villain Black Manta. Speaking of, Aquaman's skeleton, clad in his Black Lantern uniform lies below Hal Jordan. Aquaman's wife, Mera is rushing to his side. Below them is Deadman, carving out "RISE" on a tombstone. Since the end of Brightest Day, Deadman has been alive and when he touches the dead they come back to life.
Continuing clockwise, there's a golden shield on the ground (Wonder Woman's possibly) and two men trying to lift rocks off a buried figure. The two men are Jason Rusch and Ron Raymond, both have been the superhero Firestorm at some point and have found themselves bonded since Raymond's return from the dead in Blackest Night. The buried figure is the Blackest Night version of Firestorm. Finally, we have Hawk and Dove, avatars of Chaos and Order respectively, holding Jade, daughter of the first Green Lantern. Both Hawk and Jade were brought back from the dead in Blackest Night, but they have not encountered each other since. Looks like they will be in the next year.
Starting on the top left corner we have Hawkman and Hawkwoman becoming part of a skeleton-made portal. From the portal are coming humanoid hawk creatures. If you're reading the year long Brightest Day bi-weekly series then you recognize these creatures. The Hawks recently went through this portal and found a strange universe that's terrorized by the ravenous things. From the looks of this image, it looks like these creatures will be filtering out into the greater DC Universe.
Next, we have Guy Gardner, the Guardian turned Green Lantern Ganthet, and the Red Lantern Atrocitus. While Guy and Ganthet are constructing some sort of structure with their rings, Atrocitus is raising a green coffin up. I can't really think of a dead Green Lantern other than Abin Sur, who was transporting Atrocitus when his ship crashed on Earth and Hal Jordan was given his ring. Could Atrocitus be resurrecting Abin Sur?
We have Hal Jordan as the White Lantern, lying unconscious in a broken White Power Battery. His right arm is bloodied, and I believe the right hand is where he wears his ring. Thinking he becomes White Lantern but the ring is taken by force from him. Beside Hal, in the smoke is the face of The Anti-Monitor, the main villain behind 1985's Crisis on Infinite Earths, the comic book event to begin all events. The Anti-Monitor was recently resurrected as a Black Lantern, despite wanting to stay dead. Deadman encountered the villain in recent issues of Brightest Day and found him alive and well in the Anti-Matter Universe.
Follow the smoke the Anti-Monitor is coming from, and you'll see it is generated from the fire Martian Manhunter is starting. MM's greatest weakeness is fire, so it is interesting that he is starting this fire. The first is also at the base of a tree marked with the symbol of the White Lantern (The Tree of Life?). Recently, a forest grew in an instant in the middle of Star City (analog for Seattle) when Deadman visited. Green Arrow has taken up residence in the forest (note the green arrows in the tree). So this forest will become tied to Martian Manhunter at some point who is possibly responsible for the Anti-Monitor's return?
Below this we have a pile of boomerangs (Flash villain Captain Boomerang was one of those brought back from the dead at the end of Blackest Night) and what appears to be the broken staff of Blue Devil, an incredibly obscure character created in the early 1980s whose popped up from time to time, most recently as a member of Shadowpact, a collective of occult heroes and heroines. Standing above this is the newly announced Aqualad, and right behind him is a pair of ominous red eyes, which I believe belong to Aquaman villain Black Manta. Speaking of, Aquaman's skeleton, clad in his Black Lantern uniform lies below Hal Jordan. Aquaman's wife, Mera is rushing to his side. Below them is Deadman, carving out "RISE" on a tombstone. Since the end of Brightest Day, Deadman has been alive and when he touches the dead they come back to life.
Continuing clockwise, there's a golden shield on the ground (Wonder Woman's possibly) and two men trying to lift rocks off a buried figure. The two men are Jason Rusch and Ron Raymond, both have been the superhero Firestorm at some point and have found themselves bonded since Raymond's return from the dead in Blackest Night. The buried figure is the Blackest Night version of Firestorm. Finally, we have Hawk and Dove, avatars of Chaos and Order respectively, holding Jade, daughter of the first Green Lantern. Both Hawk and Jade were brought back from the dead in Blackest Night, but they have not encountered each other since. Looks like they will be in the next year.
Back Issue Bin: Marvels
Superhero comics are traditionally told from the point of view of the beings of great power. From time to time we glimpse the man on the street reacting to the "gods" battling above his head. In 1994, writer Kurt Busiek and painter Alex Ross united to create a ground breaking mini-series that would influence comics books still today. If you know anything about comic books in the 1990s, you know that it was the boom and bust period. X-Men #1 sold a million copies, a group of upstart creators left Marvel to form Image, DC gimmicked the hell out of the Death of Superman. There was a cynicism that underlined the majority of material being released. Alan Moore's Watchmen and Frank Miller's Dark Knight Returns had really colored everything that came after them, but were interpreted for all the wrong elements. It appeared the average comic creator saw those texts and thought "higher levels of violence and sexuality", instead of "tightly crafted storytelling and manipulation of the genre tropes". Busiek and Ross decided to take readers back to a time when heroes were objects of wonder, not agents of destruction.
Marvels was originally released as four prestige format books. Each book focused on an era of Marvel Comics history, not paying attention to any sort of real time continuity. Issue one is the story of the World War II era heroes (Captain America, Human Torch, The Submariner). Issue two was a look at the beginnings of the Silver Age in the early 1960s as well as the anti-mutant sentiments beginning. Issue three was the invasion of Earth by Galactus. And issue four was the story of the Death of Gwen Stacy, a moment that marked the end of innocence for the Marvel Universe. All four issues are told from the perspective of photographer Phil Sheldon. Sheldon works for The Daily Bugle, and is even a casual acquaintance with young upstart Peter Parker. Sheldon lives in New York City with his family and is front stage for the rise and fall of the "gods" of his lifetime. This human perspective adds so much and the events being revisited even if you are a long time Marvel Zombie or someone totally unfamiliar with the key moments in the universe.
In many ways Marvels is the story of why people have faith and how they lose it. In the Marvel Universe, World War II is much different due to the participation of superheroes. Captain America in particular is a Messianic figure, saving the world from the Nazis, and "dying" while in battle with his arch-nemesis. His subsequent "resurrection" by the Avengers in the 1960s is the Second Coming for people like Phil. Mr. Fantastic and The Invisible Girl are like a royal couple when they get hitched atop the Baxter Building, an event Phil gets to cover for the Bugle. There's definite parallels between this couple and the Kennedys, as well as the optimistic Camelot atmosphere around them both. There's also a story about anti-mutant hatred that is an obvious metaphor for the civil rights issues that were ongoing during the 1960s, and Phil even brings up the strange contradiction between a people that so easily accept The Avengers yet revile The X-Men.
Marvels is one of the first comics I read that elicited a strong emotional response from me. Its a story told by men who were children when they first read the original stories, and are now retelling them with a mixture of childhood nostalgia and tempered adult reality. The mix is what makes Marvels such a poignant story. Phil's daughters grow up in a world of wonder, where men and women really can fly, and the good guys defeat the bad guys. Phil came of age during The Great Depression so this is the dream he always wanted for his family, the opposite of the cards he was dealt. When the moment comes that the Silver Age ends, and the Marvel Universe begins to head down a darker path, Phil is worried. Where the mini-series ends is a beautiful moment, Phil choosing to hope that the goodness he has come to believe in will always be there. If you are looking for a superhero comic that works as a perfect counterpoint to stories like Watchmen, this is definitely it.
Comics 101: Martian Manhunter
In 1955, in the back pages of the Batman focused Detective Comics, a new superhero was introduced in a story titled "The Strange Experiment of Dr. Erdel." Dr. Erdel was a Chicago based astronomer who has constructed a device to communicate with the planet Mars, which Erdel believes is inhabited. The device malfunctions and accidentally teleports a Martian to Earth. Erdel is so shocked by this he has a heart attack and dies leaving the confused Martian alone on this strange new world. His Martian name is J'onn J'onnz and, due to his ability to shape shift, he takes the alias John Jones and fakes credentials to become a police detective in the Windy City. J'onn would keep his Martian identity secret for many years, using his telepathy, flight, and ability to phase through solid matter to foil criminals without them realizing it. But, he could only hide for so long.
J'onn's big public debut came with the formation of the first Justice League of America. The mind controlling alien Starro attacked the Earth and the greatest of Earth's heroes came together to stop it (Superman, Batman, Wonder Woman, The Flash, Green Lantern, Aquaman). J'onn joined their side taking a more humanoid form, but keeping his alien nature through his green skin and the symbol of his home planet on his belt. J'onn was to become the most stable member of the League, being a member of every incarnation that followed, except for the current version. During this time J'onn yearned to return to his home world and be reunited with his wife and daughter. Eventually, this wish came true but what he found broke his heart.
It seems that Erdel's device had not simply transported J'onn to Earth. It had pulled him through a thousand years of time to the present on our planet. J'onn learns that the civilization of Mars had been destroyed in his absence, a few red dust covered ruins remain. He returns to the Earth for good and helps form a new Justice League alongside Aquaman, becoming very attached to his team members which are his makeshift family. The villainous god Darkseid decides to test the mettle of Earth's heroes around this time and in the aftermath many of the members of the League are killed. J'onn is lost in the world until businessman Maxwell Lord brings him in to help lead a Justice League International. The alien hero takes the position and becomes a sort of makeshift den mother to this group of goofy characters, particularly keeping Blue Beetle and Booster Gold out of trouble. Now relaxed in his new position, J'onn allows himself to shift into his natural Martian form during meditation and also reveals his proclivity for Oreo cookies.
A major turning point occurs for the character when the old Justice League villain Despero comes to Earth wanting to mindlessly kill his old adversaries. Despero attacks the former League-r Gypsy and kills her family. He goes on to kill a few other members, until J'onn steps up unleashing a psychic assault on the villain that fools him into thinking he has won and sends him into a hibernation state. J'onn felt himself growing distant from his team around this time, and goes on leave. As he heads for Chicago, he runs across an African-American man being attacked by a strange entity. Through bizarre arcane rituals, J'onn and the man merge into a being known as Bloodwynd. J'onn's memories are scrambled and Bloodwynd ironically ends up joining the League. He participates in the battle against Doomsday, the monster who would eventually kill Superman, and is injured. These injuries lead to J'onn's memories returning and he and the man split back into their individual forms.
The Martian Manhunter retained a steady place with the League in the following years, learning more about the mythology of his home world and even battling the Martian version of the Bogeyman, Fernus. On the eve a great crisis, J'onn was busy with monitor duty at the League's moon-based Watchtower headquarters when a shadowy figure attack and caused the building to explode. J'onn was believed dead but is actually being used by the crisis' key villain, Alexander Luthor (son of another universe's Lex) as a living battery to collapse all parallel realities into one. With the help of Superman, Batman, and Wonder Woman, J'onn escapes and the young Luthor is defeated. Months later, J'onn is injured brutally by the villainous Black Adam and suffer severe psychic trauma. He gives himself a new form, more reminiscent of his natural alien form. Tragically, J'onn is killed by Libra, a cultist obsessed with bringing about an age of evil on Earth.
When the Blackest Night occurred on Earth, black rings falling from the sky and resurrecting the dead, J'onn was one of those who attacked his former friends. The rings had a corrupting influence on their hosts so it was not truly J'onn speaking through his body. Thankfully, Green Lantern and his allies managed to stop the influence of the black rings through the presence of a white energy. The white energy cause J'onn among others to come back from the dead. The alien has now returned to Mars, rebuilding its surface, but has recently experience phantom memories from his past that seem to tell him he is not the only Martian still alive.
Monday, July 19, 2010
Back Issue Bin: Y The Last Man #1-60
Here's an entry from DC Comics' Vertigo imprint. Y the Last Man ran from 2002 to 2008 and was written by Brian K. Vaughn, with art Pia Guerra. The covers were provided by the insanely talented J.G. Jones. If you're a fan of Lost then you're familiar wit Vaughn's writing, he was a writer on staff for seasons 3, 4, and 5. He even received a Writer's Guild nomination for his Season 4 work on the show. Y the Last Man is one of the comic book series that feels like a perfect framework for a television series as well. We have a regular cast of characters involved in one large arching story, with small six issues arcs along the way. The series looks at some issues of gender in global culture and is one of those great philosophical science fiction stories.
It's present day, and Yorick Brown is an amateur escape artist practicing a classic Houdini trick while on the phone with his long distance girlfriend, Beth. In the middle of the conversation the world falls apart. It seems a virus has swept the globe in a freakishly quick amount of time killing every male animal on the planet, except for Yorick and his pet capuchin monkey Ampersand. The duo quickly find that the world is both different and depressingly familiar now that it is female dominated. The same sort of tribal mentality that ran patriarchal society is at work in the matriarchy. Some women believe this was an act of god to curse man for his millenia of foolishness. Some women are willing to kill any man they might see alive. Some women see this as biological catastrophe and are working to developing cloning technology to keep the human race alive. Into the mix is thrown Agent 355, a female member of a secret society dating back to the presidency of George Washington. Agent 355 is sent to protect Yorick as he journies from the States to Australia to find Beth.
The series has some wonderfully exciting moments. I'm reminded of a subplot that involves the belief that a group of male astronauts in the international space station might still be alive. Teaming up with scientists hiding out in a secret laboratory in the Midwest, Yorick and crew attempt to aid in the crew's return to Earth. At the same time, a militant force of Israeli soldiers are closing in on Yorick whom they plan on using to reproduce. The Israeli angle is one of many interesting elements in the series. In real life, Israeli is the only military on Earth that have women as an integral part of defense. This means in Yorick's world, the dominant military force are the Israelis. They are the only ones with battleships and air force pilots. There's also some interest threads involving the Muslim world and what happens to it in a culture without men. If gender studies is something of interest to you, then Y will definitely leave you with some clever ideas to ponder.
Sunday, July 18, 2010
Comics 101: Spider-Man
Young Peter Parker, high school science whiz, is bitten by a radioactive spider and gains the relative strength of a spider, as well as at the ability to scale walls and a "spider-sense". Using his scientific expertise, he constructs web shooting gauntlets. At first, he uses these powers to make money as an amateur wrestler, but after a judgment he makes causes the death of his Uncle Ben. Living true to the motto of "With great power, comes great responsibility", Peter becomes Spider-Man, fighting crime while being vilified by his employer, The Daily Bugle. You know the basic origin, so lets get into some of the details, shall we?
Early on, Peter juggled high school, work as a photographer for The Daily Bugle, and Spider-Man. J. Jonah Jameson, the Bugle's publisher took a particular relish in vilifying the webcrawler. Peter pressures himself to bring home his share of money for his widowed Aunt May, while she attempts to set him up with the neighbor's niece, Mary Jane Watson. Not wanting to be set up, Peter avoids this for awhile (multiple years in our time). Some of Spidey's early villains were The Chameleon, The Vulture, The Sandman, Doctor Octopus, Electro, Mysterio, Kraven the Hunter, and of course Green Goblin. Peter also dated Betty Brant, J.J.'s secretary in his senior year of high school, but eventually fell for Gwen Stacy once he got into college. A major turning point in Peter's life revolved around Gwen, an event that would change him forever.
The Green Goblin had figured out that Spider-Man and Peter Parker were the same person, while Spidey was unaware of who the Goblin was. To hit Spider-Man deep, he kidnapped Gwen and held her captive atop the George Washington Bridge. The two men battled and Gwen plummeted off the bridge. Spidey dives, firing a web to catch her leg, but the jolt of the web's tug causes Gwen's neck to jerk back and snap, killing her. Enraged, Spider-Man hunts the Goblin down and in the process of the battle, the villain is impaled on his own glider. During his grieving period, Spider-Man is secretly cloned by one of his professors, and battles himself, as well as is tricked by a clone of Gwen. Peter believes his clone is dead, but the clone lives, taking the name Ben Reilly and leaves NYC for the next few years. Peter finds himself in the arms of Mary Jane Watson and the two become inseparable for a long time.
Aftre graduating from college, Peter becomes involved in a secret war on the moon between Marvel's top heroes and villains, organized by a being called The Beyonder. While on the moon, Peter ditches his red and blue duds, for a sleek black and white costume which he is unaware is a living organism, a symbiote that enhances Peter's powers but also increases his rage. Back on Earth, Peter is becoming increasingly violent and gets help from Mr. Fantastic to separate himself from the symbiote. Peter returns to normal, but the symbiote eventually escapes its containment, and finds Eddie Brock. Brock was a reporter for the Daily Bugle who has falsified facts in an effort to break a big story. He gets caught in the lie by Spider-Man, and Brock grows to hate the hero. The symbiote detects this hate and merges with Brock to become Venom. Venom plagues Spider-Man with a cannibalistic brutality, but eventually creates his own nemesis by accident, the even more brutal Carnage.
Peter and Mary Jane get married, but their happiness is short lived when Ben Reilly, his clone returns to his life. It turns out there were a few clones made, including Kaine, a violent version of Peter who uses his sticky wallcrawler hands to tear the skin off people's faces. Spider-Man battles his evil clone and eventually Ben takes up the identity of the Scarlet Spider. The Scarlet Spider's career is cut short when he is suddenly and brutally killed by the original Green Goblin, returned from the dead. As a way to strike at the core of Peter, The Goblin aka Norman Osborn causes Mary Jane to believe she miscarries, while he actually kidnaps the child to raise as his own. Life continued down this bleak path, with M.J. and Peter separating, Aunt May taking ill many times, and Peter struggling to maintain his personal life. The Kingpin learns of Spider-Man true identity while imprisoned and hired a hitman to take Parker out. Instead the bullet hits Aunt May and Peter searches for help from heroes like Doctor Strange and Iron Man.
Mephisto, Marvel's version of the Devil, appeared to Peter and MJ with a deal. Aunt May would be saved if Peter allowed his life with MJ and the memories of it to be taken. Peter refused to make such a deal, but MJ agreed to it, knowing Peter would be heartbroken if Aunt May died. In a flash, their marriage was gone, Peter was a high school chemistry teacher, still photographing for The Daily Bugle and MJ had left New York years ago. J. Jonah Jameson has won the election to become the mayor of New York City, while Norman Osborn achieved the highest level of power in American defense.
All of Spidey's enemies have evolved over the years as well, most tragically The Lizard, who was Peter's mentor Dr. Curt Conners, has submitted to his mutation and devolved permanently into a mindless reptilian creature. Most recently, Peter has been hunted by the vengeful Kravinoff family, the heirs of Kraven the Hunter. They have killed and tortured characters whose powers are related to spiders (Spider-Woman, Arana, Madame Web) to lure Peter into a trap. He was even reunited with Kaine, his surviving clone along the way. It culminated in the ressurrection of the dead Kraven and a massive battle with Spider-Man. In the end the Kravinoffs failed and were driven out of NYC. Kaine sacrificed himself to save Spidey and the adolescent Arana became Spider-Girl.
Character Actor Month - Part 3
Keith David (IMDB credits: 180 credits, The Thing, Platoon, They Live, Gargoyles, Princess Mononoke, There's Something About Mary, Pitch Black, Requiem for a Dream, Coraline)
Keith David is an actor known just as well for both his on screen performances as well as voice over work. When I see his face I immediately think of Childs in John Carpenter's The Thing. When I hear his voice I think of Goliath from Disney's Gargoyles, one of the best children's animated shows from the 1990s. David was born in Harlem, New York in 1956 and first found himself moving towards acting as a career when playing the Cowardly Lion for a school production of The Wizard of Oz. He entered into New York's High School for the Performing Arts and attended Julliard afterwards. You can definitely hear the classical Shakespearean training in his voice, particularly as the Celtic Goliath. David has become a frequent collaborator with John Carpenter and provided the voice-overs for three Ken Burns documentaries ("The War", "Unforgivable Blackness", "Jazz") and won Emmys for the first two. He is one of those actors more and more directors are using and his IMDB boasts 12 projects in various stages of production.
Paul Dooley (IMDB credits: 160 credits, Slap Shot, Popeye, Strange Brew, Sixteen Candles, Waiting For Guffman, Insomnia, A Mighty Wind, Curb Your Enthusiasm, Cars, Hairspray)
Dooley is one of those people that has always had a creative mind and was bound to be involved in entertainment and the arts somehow. Born in Virginia in the 1920s, Dooley was very into cartooning and even drew a regular strip that was part of the local newspaper. He joined up with the Navy, but after getting out and enrolling in West Virginia University he discovered theater. Comedy was his strength, so he moved to New York and did stand up for five years, and then worked as a stage magician and clown. Dooley was discovered by Mike Nichols and cast in the original stage production of The Odd Couple. In the 1970s he helped co-create The Electric Company for PBS and worked as one of its writers for its initial run. Around this time he also got involved with Robert Altman's films, playing key roles in A Wedding and Popeye. In the 1990s, Dooley got involved in the Christopher Guest movies, as well as becoming a regular in shows like My So Called Life and The Practice.
Grace Zabriskie (IMDB credits: 134 credits, Norma Rae, An Officer and a Gentleman, Drugstore Cowboy, Twin Peaks, Wild at Heart, Fried Green Tomatoes, Ferngully, Seinfeld, The Grudge)
Grace Zabriskie was born in New Orleans and grew up amongst some interesting guests of her father's cafe and various business in the city. She claims that they were visited by Tennessee Williams, Gore Vidal, and Truman Capote at various times. As a young adult, she wrote poetry and would perform it in coffeehouses in New Orleans as well as Atlanta. It was also during this time she became a very accomplished silkscreener, and she has been recognized for her very artistic lamps, which she says is an attempt to sculpt using light. Zabriskie is best known for her role as Sarah Palmer on David Lynch's brilliant Twin Peaks. While her character faded from episodes after the middle of the second season, she remains one of the most iconic figures in the series. Since then Zabriskie has had a recurring role on Seinfeld as well as continued to work with David Lynch, one of the few directors she says she continues to enjoy working with.
Harry Dean Stanton (IMDB credits: 173 credits, Cool Hand Luke, Alien, Escape From New York, Repo Man, Paris Texas, The Last Temptation of Christ, Wild at Heart)
Harry Dean Stanton was born to a Kentucky tobacco farmer, got a degree in journalism and radio arts, and starred in at least one episode of pretty much every Western television series from the 1950 through 60s. Stanton has the perfect face for the weather beaten soul that has seen too much in lifetime. It's helped him convey a lot of unspoken emotion, particularly in his best film Wim Wender's Paris, Texas. Stanton got a start in low budget films of the late 1960s like Two-Lane Blacktop, but went on to befriending up and coming directors like Sam Peckinpah, David Lynch, and Franics Ford Coppola. Stanton has become a favorite of critic Roger Ebert who says any movie starring Stanton can't be bad. Outside of film, he has toured bars and clubs playing covers of classic country on his guitar, a true modern cowboy.
Saturday, July 17, 2010
Director in Focus: Brian De Palma - Redacted
Redacted (2007)
So we have caught up with Brian De Palma's body of work. Redacted goes back to a lot of the same territory as 1989's Casualties of War. We have American troops in a foreign land and the sexual violation of a native girl is the crux of the conflict. There's one soldier who above all the rest is still virtuous. This was one was written by De Palma as well and really shows off his weakness as a writer. However, there are some interesting technical elements to the picture, and it really easy very experimental for De Palma, both in its making and the distribution.
Told through soldiers' personal video diaries, CCTVs, news footage, and user submitted online videos, this is based on a true story where a squad of American soldiers were responsible for the rape of 15 year old girl and the subsequent murder and burning of both she and her family. The film did not do well upon its release, and in no way is this a great movie. However, many of the criticisms were jingoistic blather about De Palma wanted to imply that all soldiers are evil monsters. The fact that one of the squad members goes to the authorities with what happens must have gone over their heads. Its part of this thoughtless creed of "support the troops" which many interpret as do not question or think critically about the actions of the military. I don't believe every soldier over there is some sort of sociopath, but I believe the culture that surrounds the military breeds that in people who leaned that way in the first place. That said, De Palma doesn't present either the villains or the hero of the film in an interesting way at all.
The two vile soldiers who perpetrate the rape and murder are drawn cartoonishly broad. There are even scenes where they cackle like the hyenas in The Lion King. The hero is also without flaws and there's nothing remotely interesting about him. The type of evil that is most interesting is the kind that comes out of mundane and ordinary people. When you have two characters who appear to be walking cliches they don't come off as truly intimidating at all. A good filmmaker would make us like these guys, show us sympathy for them, and then reveal their darker nature. It makes us question ourselves. Even Sean Penn in Casualties of War, of which De Palma is really ripping himself off on, was a character I understood. Even though his action were abhorrent I could see what he saw in the world. What I did like was De Palma trying to do more with his camera. His typical POV shots were incorporated as part of the soldier's diaries and there's some interesting work done with website video.
Looking back on the films of Brian De Palma I have to defend him as a cinematographer. He may not always be a great all-around storyteller but he is one of the best cameramen I've ever seen. The level of tension he can generate in a film is amazing, and its all done through some of the tightest editing around. The moment in the prom scene of Carrie, as Amy Irving is figuring out what the bullies are about to do is such a perfect example of that. So much information is told without words, simply looks and cuts. The museum scene in Body Double should be shown to every wannabe filmmaker of how to tell a voluminous story in a only a few minutes and without a single piece of dialogue. Even watching the worst films of De Palma's, I always knew he would amaze me with the camera. Sadly, his career has been marred by too many failures in a row. According to IMDB, De Palma appears to be working on a remake of his great rock opera Phantom of the Paradise (seen before I started this marathon), a prequel to The Untouchables sub-titled Capone Rising, and The Boston Stranglers, based on a true crime book about the theory that multiple men were placed under the umbrella of one serial killer. My hope is that De Palma can still find a way to produce good films again, I know he has it in him and I think there's a strong possibility that he can rally a comeback in the same way that Francis Ford Coppola has been doing.
Back Issue Bin: Animal Man #1-26
Animal Man #1-26 (1988-1990)
Written by Grant Morrison
Art by Tom Grummett, Chas Truog, and Doug Hazelwood
It's no secret that I love Grant Morrison's work. He's like the second coming of Julius Schwartz, the crazy DC Comics innovator of the Silver Age mixed with metaphysical, post-modern sensibilities. Just a year after Watchmen's publication, Morrison wrote what was in many ways a response to Watchmen's attempt at realism. With Animal Man, Morrison created a hyper real look at the comic book reality and its the relation of creator and creation. The fact that these were mainstream comics published by DC, yet so innovative and experimental is amazing. Its hard to see anything like this happening again, though there was a brief attempt with Brian Azzarello's Architecture and Morality mini-series in 2006, more on that later.
Animal Man was created decades before, in 1965 in Strange Adventures. The character could take on the abilities of what ever animal life was in the vicinity, so if a bird was around he could fly, if an elephant was close he could charge with massive strength, etc. The character was pretty flat an uninteresting, and even ironically became a member of a team called The Forgotten Heroes in the early 1980s. It was in the late 1980s, that the young upstart Morrison, newly imported from the UK was given the character. DC deemed it fairly safe to test the young writer out on a superhero with little fanbase invested in him, so if he screwed up it wouldn't cause very much damage. What Morrison managed to do was turn Animal Man into one of the most complex and interesting characters DC published. The character continues on in popularity, having been a major player in events in the last five years, as well as getting his own eight issue mini-series.
Morrison began things by making Buddy Baker, the civilian identity of Animal Man, a family man. He had a wife, Ellen, and two kids, Cliff and Maxine. In the first story arc of the series, Buddy become involved in a battle between fellow animal-linked hero B'Wana Beast and a company using animals for scientific testing. The story is dark and poignant and there aren't your typical hero versus villain battles. B'Wana Beast dies and Buddy is changed significantly. In resulting stories he goes vegan, his powers now linked to the emotional spectrum of animals, feeling their suffering. Morrison doesn't let him get away with this easily, and Buddy ends up in some heated arguments with Ellen who doesn't appreciate Buddy forcing his personal lifestyle change on the rest of the family. As you can tell, this is not the sort of thing you expect from comic books and its incredibly refreshing.
The most mind blowing story up this point came in Animal Man #5, "The Coyote Gospel". In this story, a humanoid coyote wanders the desolate roads of the American southwest. He's hunted by an obsessive truck driver who kills him, only for the coyote to rise from the dead again and again. Animal Man, who plays a very backseat role in this story, shows up and the coyote hands him a scroll. The story shifts to the content of the scroll which explains that this coyote came from a universe very much like that of the Warner Brothers cartoons. The inhabitants lived in a state of un-death, dying but constantly ressurecting. This coyote finally became fed up and question his world's creator. The creator, depicted as a man in a plaid pants and wielding a paintbrush condemned the coyote to wander other worlds. Morrison pulls us back to show that to Animal Man's eyes the scroll is unintelligible chicken scratch. He tells the coyote that he can't read this and at that moment the trucker fires, shooting the coyote point blank in the head and killing him. The final full page panel is off a hand drawing this scene which has faded away partially at the bottom as just a simple pencil sketch.
This single issue serves as the thesis statement for the rest of Morrison's run on the series. He begins to deconstruct the ideas of continuity in comics and how Animal Man's original creator and his own intentions for the character are drastically different. Morrison looks at the idea of the multiverse and about what happens to comic book characters who are forgotten and never used. All of this culminates in a meeting between Animal Man and Morrison himself. What also has to be one of the trippiest moments in comics books occurs during this run, as Animal Man has gone to a mountaintop and taken peyote in an attempt to break free from the physical constraits of his universe. In this moment, he suddenly feels that he is being watched, then looks right up at the reader, shouting that he can see you, that he knows you are watching. Chills!
As further reading, Brian Azzarello and Cliff Chiang got together for a very small series of back up stories in the mini-series Tales of the Unexpected (2006). Much like Morrison's stories, these explore the nature of forgotten characters and their relationship with their creators. The series is a lot of fun and features some crazy characters (Genius Jones, Infectious Lass, The Gorilla Brigade) as well as poking fun at DC's editorial staff. It's available in a collected edition titled Architecture and Morality.
Comics 101: Green Lantern Part 2
Hal Jordan was now the Green Lantern of Earth again. Kyle Rayner was still Ion, containing the power of the Green Lanterns without needing a ring to wield it. Guy Gardner and John Stewart were both Lanterns again and lived on Oa, the homeworld of the Green Lantern Corps training new recruits. Things were good. What they didn't know is that Sinestro was busy in the Anti-Matter Universe, forcing the Weaponeers to construct a massive Yellow Lantern, which mimics the Central Battery on Oa, where the green power came from. With his own yellow battery, Sinestro created multiple rings sending them out to those beings in the universe that inspired great fear. Once his Sinestro Corps was assembled, they led a brutal assault on Oa, killing many Green Lanterns in the process. The battle was unlike anything the universe has ever seen and raged on to eventually come to Earth. Kyle Rayner was stripped of his Ion powers, but managed to get a ring in time to join the Corps. Sinestro was captured, but not before the Guardians allowed the Lanterns to compromise their values and use their rings to kill.
Sinestro was locked up in Sciencell on Oa but told Jordan that the "Blackest Night" was coming, and in this time of darkness Jordan would be compromised. Jordan was shaken up but worked to distract himself. The Guardians adapted to the new threat of the yellow rings of fear but establishing the Alpha Lanterns, regular Corpsmen transformed into emotionless judges, meant to keep the Corps in check. Meanwhile, other rings created from different aspects of emotion were manifesting in the universe. In Sector 666, the demonic Atrocitus vomited up a bloody red ring of rage. On a distant serene planet, two rebel Guardians made blue rings of hope. On the all-female world of Zamaron, its inhabitants made violet rings of love. And deep in a cavern on Okaara, one lone figure clutched an orange ring of greed. All of these various Corps began to get into conflicts and change the dynamics of the universe. In the Anti-Matter Universe, a jet black lantern manifest black rings of death, and these would change everything.
While the Corps worked to hunt down Sinestro's soldiers still out there, using their rings to torture innocent beings, Hal Jordan encountered the Blue Lanterns and found his could use his green ring in conjunction with a blue one. He also ended up in Sector 666, where a red ring of rage overtook him for a little while. Sinestro was being transferred when his Corps arrived to liberate him and all hell broke loose. The War of Light began, all the various colors battling each other. As they were distracted, an old villain named Black Hand brought the scourge of the Black Rings to Earth. These rings were keyed only to the dead, and allowed hordes of dead heroes and villains to be resurrected as dark versions of themselves. At the time characters like Aquaman, Martian Manhunter, and Hawkman were all dead and came back as monstrous Black Lanterns.
After a few days of fruitless battle, the Black Lanterns merely reconstructing themselves, its discovered that if two Lanterns of different colors use their powers together they can destroy a Black Lantern. Across the globe the battle rages and its revealed that Nekron, a being who controls death has been making the rings. It's also discovered that an entity lives in the Earth who generates a White energy that creates a single ring and single Lantern. Sinestro gets ahold of it and fails, with Hal using its power to drive Nekron and the Black Lanterns away. Before the White Lantern vanishes, it resurrects a handful of heroes and villains. Through battle, Hal and Sinestro have reached a tentative alliance. Currently, Hal and girlfriend Carol (now wielding a Violet ring) have discovered that the Red Lantern, Atrocitus is on Earth looking for the source of his rage power. The White Lantern has also reappeared in New Mexico, forming a crater where it landed, and much like the sword in the stone is immovable.
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