Sunday, June 27, 2010

My 40 Favorite Film Moments - Part 5

21) I'm Easy (Nashville, 1975, dir. Robert Altman)

In this ensemble cast film, Altman had his actors write and perform their own songs. Keith Carradine plays the third member of a country folk trio who is a bit of a lothario. The women gathered in the Exit/In all believe the song is written for them, when in reality its for Lily Tomlin's character a gospel singer and married mother of two who has been having an affair with the singer. The way the camera works in conjuction with the actors' faces is beautiful.





22)You've Got Me? Who's Got You? (Superman: The Movie, 1979, dir. Richard Donner)

Its by no means the greatest film ever made, but it holds a sentimental place in my heart. And this moment, where Superman makes his public debut is just wonderful. It doesn't take itself too seriously and it doesn't need to be grim n' gritty or "badass". It's just a perfect superhero moment. And I must admit, I've used the flying statistic line many times.



23)Kiss (Cinema Paradiso, 1988, dir. Giuseppe Tornatore)

The film follows film director Salvatore Di Vita, who receives news that his old friend and the village's film projectionist, Alfredo, has died. Salvatore goes home and, through flashbacks, we learn of his friendship with the old man. Alfredo leaves Salvatore a film reel and when he returns home Salvatore watches it. It contains all of those moments deemed inappropriate by the Vatican, which Alfredo had to cut out. He gives them as a gift to his old friend in an incredibly beautiful moment.



24)Always Look on the Bright Side of Life (Monty Python's The Life of Brian, 1979, dir. Terry Jones)

Probably one of the best film endings ever. Where else will you find a chorus of crucified messiahs singing about how life is a load of shit?



25) The Order of Things (Network, 1975, dir. Sidney Lumet)

This is one of the most prescient films ever made. Lumet and screenwriter Paddy Chayefsky are modern day prophets. This scene has Howard Beale, a 1970s era Glenn Beck who has been allowed be all crazy up until he criticizes the capitalist system. He is brought to the corporate owner of the station who puts him in his place.

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